NEWS 2020 - 2021
(Publicity Officer's Column)
(Publicity Officer's Column)
Meeting 22nd April - Image critique and processing with Paul Dunmall ( judge ) CPAGB QGP and Jack Taylor DPAGB EFIAB
The objective of the evening was to show how the advisory suggestions and recommendations of Paul could be implemented through post production / digital manipulation with proposed changes being implemented by Jack Taylor live on Zoom. Members had previously been invited to submit images for Paul and Jack to work on using the more commonly used software packages before inviting discussion from the photographer in question on the finished result.
Paul's affable, measured and relaxed approach, proffering a number of positive comments and possible ways of tweaking images, coupled with Jack's very evident skills in the proficient, practical and enthusiastic application of the software to the original, provided for a fascinating and enjoyable evening. As original images "morphed" before their eyes and almost without exception, the creative or aesthetic enhancement of images was eagerly acknowledged by those whose image had been selected.
Beguiling, bewitching and, for some, maybe bewildering, this vast array of software techniques and effects is indisputably capable of enhancing almost any image. It is also indisputable that many of the "final" images sometimes bore little resemblance to that which was originally seen by the photographer.
For those passionate proponents of post-production perfection this was an evening to bask in the wealth and wizardry of digital manipulation, for others less keen, perhaps a time for reflection on the equally impressive effort and endeavours enshrined in seeking to capture that image in camera in the first instance. As they say, or at least used to, the camera never lies - but the magic of post-production can now help to significantly bend the truth.
Meeting 15 April 2021 - Set subject Competition " Transport"
Judge- Chris Palmer FRPS EFIAP DPAGB APAGB
For this set subject competition Chris explained that he had endeavoured to put himself in the role of editor for a Transport magazine - searching for an appropriately strong image for the cover. He also confirmed that he had not previously previewed the 55 submitted images preferring rather to judge them "live" as it were and to see how he, as a judge, responded to them on the night but emphasising that their overall relationship to the set theme of Transport was critical. This was no easy task owing primarily to the great variety of images submitted and the many and various takes on the theme of the competition - from camels to hot air balloons, vintage tricycles, narrow boats, steam engines and even paddleboards. Notwithstanding this seemingly bewildering breadth of transportation techniques Chris ably demonstrated and clearly conveyed the thinking behind his various comments and selections of those images held back for further consideration.
Congratulations as always to all who submitted their images for critical analysis with particular praise to the following whose entries were in the final placings or were in receipt of the judge's commendation.
1st place - Jack Taylor
2nd place - Jack Taylor
3rd place - Roger Scott
Highly commended - Alan Cork, Richard Goldsmith, Paul Shilliam, Roy Morris
Meeting 8th April - Impressions of the Landscape : Janey Devine FRPS
Confirming her Impressionist roots from a very early age, having unexpectedly won a junior painting competition (as much as to her own surprise as anyone else's) Janey started her photographic journey by enrolling in a beginner's class at Southhampton. An early photographic holiday to Venezuela and a portrait of egrets in flight, as blurred images against a darkening background, cemented her love of long exposure and a thirst for images which provided impressions of the photographic experience rather than a straight shot of what was in front of her. In her own words, early realisation that "a fairly good grasp of Photoshop was needed to get anywhere in this business" subsequently enabled her to enthusiastically experiment with her photography. Unbridled and often unconventional in her approach by using long exposure, infra-red, layering and composite shots, together with a number of post-production techniques, Janey's presentation revealed a fascinating array of images steeped in her impressionistic style. As a well-travelled photographer this free-thinking approach manifested itself in numerous diverse locations and in a variety of subjects with landscapes a particular and common theme.
During the second half of the evening Janey highlighted a number of her recent Lockdown Projects : the use of photographic chemicals (Cyanotypes) and natural materials to produce otherworldly and often surprising printed abstracts, the photographic documentation of coastal erosion upon her local stretch of coastline and an ongoing project to reveal the essence of the Itchen Navigation Canal. This last subject a quiet, restful and magical place where the photographer could immerse herself in putting the very essence of the location into her images using a variety of backgrounds, textures and imported subjects to further enhance that all important feeling of place..
Whilst confirming that she did not have a lot of patience in her photography she was nevertheless prepared to invest time and energy on brave and innovative approaches to further her impressionistic and individual style-whilst emphasising that for her the main thing about photography was to have fun.
Meeting 1st April - Projected Digital Images ( PDI ) Photographer of the Year.
Judge: Robin Harmsworth
The purpose of the PDI photographer of the year competition is essentially to enable Members to showcase their skills and versatility as a photographer. Entrants are encouraged to submit a panel of six images covering widely differing subject matter, genres or techniques. Judge for the evening was Robin Harmsworth who began by applauding all sixteen entrants for the quality, variety and range of images submitted for assessment. Each entry was initially displayed as a complete panel of six photographs prior to Robin then carefully selecting one or two from each set for further detailed comment, analysis and advice.
Emphasising that all entrants should feel exceedingly proud of the quality of their submissions, Robin's helpful, relaxed, and informative style of judging culminated in overall placements and commendations as follows.
1st Place - Alan Cork
2nd Place - Wendy Chrismas
Joint 3rd Place - Alan Bousfield, Roy Broad
Highly Commended - Jack Taylor, Dave Brooker
Meeting 25th March - Projected Digital Images ( PDI ) Finals
Judge Jim Pascoe - ARPS, BA ABIPP
The finals of Hailsham Photographic Society's projected digital images competition are always one of the Society's highlights of the season and this one was no exception. Judge for the evening, Jim Pascoe, confirmed that he had been very impressed with the standard of entries and that consequently, he had genuinely had a very difficult task in selecting overall winners. Some 22 entries had been submitted within the Development Class ( Sussex Shield ) with a further 47 entries in the Advanced Class (Albert Hillman Cup). Jim was particularly impressed with the very wide range of subject material entered which displayed a great variety of subjects, genres and photographic techniques. Since all images had already clearly been selected to progress through to the finals Jim's approach was essentially to offer a few thoughts and advice on each having already confirmed that he was not necessarily a stickler for the standard rules of composition but rather was looking for evidence of a "seeing eye" in any particular image.
Congratulations to all those whose images had been selected to progress to this final stage with particular plaudits to the following who were the recipients of a place or whose images were highly commended by the judge.
Development Class - Sussex Shield: Highly Commended - Celia Munn, Chris Underhill (2 images), Charles Folder.
1st place - Chris Underhill, 2nd Celia Munn, 3rd Chris Underhill
Advanced Class - Albert Hillman Cup: Highly Commended - Alan Cork, Janice Payne, Paul Shilliam, Bob Sherrard.
1st place - Helen Bonnick, 2nd Liz Scott, 3rd Alan Bousfield
Meeting 18th March - "Members Lecturettes"
Liz Scott ARPS AFIAP : Retrospective -The Silver Prints
Liz began by confirming her longstanding interest in photography and her membership of HPS for some 40 years. Whilst acknowledging that she had a particular "style" she was nevertheless happy to photograph anything that she felt interesting or worthwhile. Emphasising that in the days of her displayed images all cameras were manual and with no built-in metering systems she metaphorically invited her audience into the era of the darkroom. Here Liz revealed her love of this space as her own little world where she was able to escape everyday life and revel in the enjoyment that this exciting and creative side of photography held for her. The magic of the darkroom printing process, the mixing of the chemicals and the techniques of Lith printing with its harsh and gritty shadows. Displaying what was in effect a back catalogue of some of her favourite prints this lecturette admirably displayed the great range and skill of the photographer in successfully capturing these many moments. The breadth of subjects was indeed immense: from the abstract human forms of boulders at Cow Gap, to the many studio models and people portraits - Toby the punk, Grace with her penchant for vintage clothes, Ricky the plasterer and so on to local landscapes, landmarks and events. Whilst accepting that some of the close-up images she had chosen to show might not stand up to today's focus stacking digital wizardry Liz's deep affection for some of these techniques from a perhaps bygone era was evident throughout. Citing Cartier- Bressons's famous "decisive moment" quote and as if to underline the point Liz confirmed her strong belief in the photographic excitement and greater satisfaction of anticipating something happening rather than, for example relying heavily on the use of modern motordrives and post production techniques.
Ted Sturgeon : 24 hours in London
Having previously been unsuccessful in applying to this invitation photographic challenge Ted was ultimately rewarded with an invite in 2018. This event, hosted and sponsored at the time by Photo News, consists of a gruelling 24 hours of photography in the Capital and was held over the 29th and 30th June - coincidentally the two hottest days of that year. With stamina an expected prerequisite for success it was considered important to travel light, necessitating no tripods or bulging gadget bag for this stamina sapping triathlon of street photography. Rapidly realising that it was impractical to stay in photographic groups ( with everyone having different interests and timescales for capturing images ) Ted decided to go it alone and, to make matters even more interesting, had decided to shun the use of any form of map or guide. Quickly learning the logistics and legalities of taking photographs on a "don't ask but don't be intrusive" basis, alongside the rights and responsibilities of the photographer within Pops or Privately Owned Public Spaces Ted proceeded to blitz London with an intense variety of captures from his camera. From iconic cityscapes and architecture, from the OXO building, the Shard, the bustle and bohemian nature of Borough Market to the colour and chaos of the graffiti that adorns the area around Brick Lane and Shoreditch, Ted literally found himself lost in his photographic pursuits. Evening came and went and still he soldiered on into the wee hours, exploring the myriad of guises that the City showed under the glare of the seemingly ever-increasing levels of multi coloured artificial lighting with arresting views of the London Eye, the illuminated dome of St.Pauls and the night life that proves that the City never sleeps. Covering an estimated 31 miles in those 24 hrs with just a couple of hours sleep Ted admitted that at the time, he was actually under doctor's orders not to over exert himself; before concluding that he had thoroughly enjoyed the experience.
Meeting 11th March - Moments in Time and More - Presentation by Rob de Reuter ARPS
Rob confirmed that he had become hooked on photography from an early age - following in his father's footsteps. The title of his presentation mirrored a quote from Dorothea Lange "Photography takes an instant out of time, altering life by holding it still" - a concept admirably displayed by his many chosen images for the evening.
Seeing his photographic passion as an inseparable blurring of work and leisure Rob was keen to emphasise that the most important thing was to have fun through one's photographic endeavours. This wonderful presentation covered an extraordinary breadth of genres and a myriad of subject material. Commencing with Architecture, Cityscapes and Museums, there followed a section on People and Streets before concluding the first half of the evening with some wonderful Landscapes and Seascapes. Stressing that there are quite literally images everywhere for those who have a keen eye we were reminded of the striking architecture of the City of London - Royal Albert Hall, City Hall and the wealth of our many Museums before moving on to places such as Portsmouth's Historic Dockyard and Salisbury Cathedral.
As a firm believer in capturing the image first time around in camera rather than relying heavily upon using post processing techniques Rob certainly proved his point with images of People and Street Scenes, Landscapes and Seascapes from venues and subjects as diverse as the Weald and Downland Museum, with its many photographic opportunities, before taking us on a tour of luscious landscapes ranging from the Cornish Coast, the South Downs, Anglesey and the North Wales coast; even seeking out Iguanadon footprints on the Isle of Wight.
After the break Rob's section on Shaping the Light provided much interest with a quick lesson in elementary physics and a useful tip how to construct a set up to provide even, shadowless lighting for close up studio shots. A perfect Idea to keep us busy in Lockdown?
The evening concluded with yet more beautiful examples displaying both the breadth of Rob's work, and his passion for his subject with sections on Patterns and Detail, and Black and White. From the fine feather detail of flamingos, through to the shadows, shapes and patterns to be found in simple ,everyday subjects - the gnarled bark of ancient trees, the colours and reflections in puddles, and the geometric shapes of a simple pile of stacked chairs there were indeed striking images to be had everywhere. In addition to having fun with our photography, Rob ended his presentation with a plea for us to stay curious in our endeavours and not closed in or frightened of experimentation.
Meeting 5th March - Projected Digital Images ( PDI ) Competition Round 4
Judge : Faith Lee LRPS
This March 5th meeting was the fourth and final round of Hailsham Photographic Society's PDI Competition. Judge for the evening was Faith Lee, LRPS, who confirmed that she had spent a very enjoyable time assessing the many and varied images submitted and indeed had been extremely impressed with the overall standard of submissions. Once again, a wide range of locations and subject matter was in evidence within both the Development and Advanced classes and Faith was keen to point out the difficulty of her task in selecting those images that would eventually go forward into the PDI finals later in the year. Within the Development Class ( Sussex Shield ) some 18 images had been entered whilst the Advanced Class ( Albert Hillman Cup ) had attracted no less than 54 images. A total of 72 Members images covering such a variety of subjects and photographic styles filled an entertaining evening replete with ideas and encouragement to venture forth once again with cameras in hand and especially when current restrictions on travel are eased.
Many congratulations to the following Members whose images were selected to progress through to the PDI finals.
Sussex Shield - Development Class : Charles Folder, Chris Underhill (2 images), Celia Munn.
Albert Hillman Cup - Advanced Class: Alan Cork (2 images), Chris Coates, Helen Bonnick, Janice Payne, Alison Morris, Roger Joyce, Paul Shilliam.
Meeting 25th February - Landscape and People - presentation by John Tilsley
John opened his lecture with an image of Mrs Tilsley endeavouring to take a landscape shot whilst engulfed by a blizzard in Finland and enduring temperatures that would challenge the most dedicated of photographers. This was essentially to emphasise his belief in the need to make the most of whatever weather conditions, light etc you have and most of all to be adaptable in your approach. Monochromes of a local (to his home in Martinstown, Dorset) re-enactment of the D Day landings provided a lively introduction to the evening and offered great subject material for photography, displaying undoubted passion and a thirst for authenticity from those participating in this event.
However, it was John's travels in Finland and Iceland that best revealed his very personal approach to photographing Landscapes: eschewing the more classical viewpoints and treatments to favour instead images that centred upon his own emotional responses from being in wilderness. Images displaying the minimalistic, stark tracery of skeletal silver birch in the frozen Finnish wilderness together with the abstract rhythms, shapes and sequences of many of the classic Icelandic waterfalls gave the viewer a strong sense of place and the photographers sense of being there.
The role of people within the landscape was prominent within other segments of the evening's presentation - from the clamour, characters, and colour of the Wimborne Folk Festival to the wide skies and sandscapes of Norfolk and Suffolk where frosts and early morning mists provided a "Turneresque" quality to many of John's images. People were also very much at the centre of a number of striking images taken at the New Forest Pony Sales from the keen and expectant eyes of the buyers and sellers to the watchful eyes of the auctioneer.
The evening concluded with a whistle-stop tour of the Canadian Rockies from Mt Robson, Canada's highest peak at 3,954m to Fraser River Falls, the Athabasca glacier and Yoho National Park. John's enthusiasm and energy for getting the desired shot shone throughout - as did his firm belief in putting in the extra effort to walk some way from those overpopulated viewpoints in order to achieve distinct and different landscape images.
Meeting 18th February - Interactive Meeting with Paul O'Toole
In a welcome break from the "usual" Zoom format for Covid era meetings Paul had previously invited images across a range of genres to be submitted to him from HPS Members with a view to then "pairing" them with similar images of his own. In all a total of 28 matching pairs of images formed the basis of the evening's entertainment. The idea for the evening was to then open up the discussion as an informal, interactive dialogue with the audience who were invited to comment upon these paired images but which would, in terms of their ownership, remain anonymous to all but those whose own images were being displayed.
With all participants unmuted the accompanying software fortunately held out and it was possible to engender a lively and informative debate upon the relative merits of each of the paired images. A polite but no holds barred conversation enabled everyone to be "judge for the night" in offering their own views on ways in which any particular image could be enhanced or where they had missed the mark. At the end of each discussion on paired images Paul invited a straw poll as to the audience's favourite for each pair prior to revealing which were his own and which were HPS images. Honesty prevailed in respect of admitting to any post-production additives - from imported lightning skies and other special effects to the pasting in of a giant blow up "cheeky sheep "into a Lakeland landscape.
The format of the evening provided for a lively, wholly enjoyable and truly interactive debate. As the session ended Paul confirmed that he felt (straw poll results only) that he had been victorious overall. Others may have been less convinced of this declared result and indeed Ray Beckwith, as Chairman on behalf of the Society, was rumoured to have been contacting the returning officer - urging him to somehow 'find' another 11,779 votes and to re calculate his findings.
All in all, very many thanks to Paul for a wholly enjoyable, invigorating, thoroughly interactive and innovative way of hosting the evening's entertainment.
Meeting 11th February - "Afterlife" with Dave Mason
Once he had clarified that his chosen title for the evening's entertainment referred in fact to the evening as a follow on from his previous presentation to the Society (namely after "Life with Dave Mason" ) rather that a trip exploring the spiritual side of photography, there followed an evening centred upon people's relationships with each other and their environment. Using a small camera to avoid unnecessary intrusion upon his subject matter and to assist in his remaining inconspicuous in the street scene was a key criterion for Dave's success in capturing candid and spontaneous images.
Probably best known for his Street Photography Dave did not disappoint with images from some of his favourite haunts, East London, the British Seaside, Art Galleries and festivals, Docklands, Oxford Circus, the Appleby horse fair, as well as from foreign corners as diverse as East Berlin and Palermo. Describing Street Photography as "full on" with little time to react to situations as they presented themselves and with him not being a great fan of post-production work but preferring to keep images as honest as possible, the presenter's ability to see interesting shots in the everyday was evident throughout.
From the graffiti riddled streets of East London through to the chaos of markets, festivals and the decay of urban Britain the interrelationships between people and place shone through. Images portrayed were often embellished by Dave's enhanced imaginings and commentaries behind and between the characters portrayed in his pictures. From the urban to the urbane, the crazy to the creative, the peculiar and the poignant; each picture ably recounted how people use the streets as a kind of living theatre. From the solemnity of the Holocaust memorial in Berlin as mirrored in the grey high rise residential blocks of the old East Germany, to the wary, half- suspicious looks towards the photographer at the Appleby horse fair and through to the faded Mediterranean grandeur of Palermo and Mussolini's former fascist HQ ( now the local Post Office ) there was a palpable sense of the reality of the expression "every picture tells a story" - but only for those with the foresight and photographic eye to capture the image in question.
Meeting 4th February 2021 - Projected Digital Images ( PDI ) Competition Round 3
Judge: Dick Saunders
For this, the third round of the Society's PDI competition, our judge Dick Saunders had received all entries a couple of weeks beforehand in order that he had time to fully assess each one. In confirming that he had enjoyed receiving what he considered to be a stunning set of images Dick was at pains to point out that his comments were nevertheless only his personal view and asked individuals not to take them to heart. Any comments that he did make were intended to offer constructive advice and tips on how the image might have been made stronger but Dick confirmed that the emphasis should always be on the enjoyment of taking the photo and that if the photographer liked the image then that was the main objective. The evening provided an entertaining and elaborate display of the many and varied talents of Members, covering a wide range of subjects including bugs and mini beasts, natural history, botanical studies, still life, landscapes, architectural and urban studies and abstract creations.
The Sussex Shield ( Development Class ) attracted some 19 entries whilst the Albert Hillman Cup ( Advanced Class ) had no less than 56 entries.
Images from the following Members were selected to progress through to the PDI finals later in the year.
Sussex Shield: Chris Underhill, Jennifer George, Celia Munn, Charles Folder.
Albert Hillman Cup: Louise Pemberton, John Evans, Dave Brooker, Janice Payne, Roy Broad, Alan Cork, Bob Sherrard, Paul Shilliam.
Congratulations to all who entered their images for scrutiny by the "Moscow Eye" of our judge, and in particular to those whose images were selected to progress to the finals.
Chairman's Evening 28th January - Richard Goldsmith -"A walk around the Town " & Ray Beckwith : Chairman HPS - "Some of my snapshots"
For the first half of his evening Ray had invited Richard to present his "Walk around the Town" - a photographic and social history of Hailsham. For those who know of his encyclopaedic knowledge of the town it was no surprise that this was a wonderful journey. Using many of the early images of Edwin Isaac Baker who had been working as photographer for the Sussex Advertiser in the late 1800's and supplemented by his own photographs, Richard painted a carefully crafted portrait of a bustling Sussex Market Town. Interspersing images with anecdotes about major events in the Town, Richard brought history to life through stories of progress, prosperity and also of decay. Key stages in the Towns evolution highlighted the pressures of development; from the moving of the Market to its current site in 1868 to the 1985 campaign to save the Market, the loss to development of the 15th Century Proclamation House to enable construction of the Nat West Bank and the demolition of St. Mary's House, another fine historic ( C17th ) building. Stories of the building of the Grenadier in 1803 to serve the Napoleonic Barracks, the use of the cobbles in Stoney Lane transported on carts from Pevensey Bay by residents of the workhouse, the great Town fire of 1889 in Verral's forge and workshop ( now the Fleur de Lys ), the 1919 Armistice day parade, children's VE day party and the infamous snow of 1962/63,afforded all a truly enjoyable, pictorial and informative "walk around the Town".
The title for part two of the evening " Some of my snapshots" was spawned from a rather dismissive comment that one of Ray's images had once received from a competition judge. Ironically, as Ray was at pains to point out to Members, he had in fact taken especial care with the timing, lighting, composition, focusing and just about everything else in the picture. In the opinion of the writer and I suspect many, Ray is too self-deprecating by far and proceeded to delight with a presentation of his "snapshots" displaying a very broad range of genres and subjects delightfully captured by the photographer. From crisp studio shots, (together with explanations of fascinating secrets behind their capture), through to impressive landscapes, architectural shots, natural history, candid street shots and - one of Ray's self-confessed favourites, the classic "chocolate box " shot. These were by no means mere snapshots but a wide portfolio from an accomplished and discerning photographer. Some of the images of the former but by then derelict Hellingly Hospital provided a haunting insight into a somewhat anguished period of our social history although some members confirmed that the hospital patients and staff were indeed a close family and that it was with much sadness all round when the site was sold for development. Fortunately, Ray appears to have recovered fully from that earlier judge's comments and is a firm exponent of the adage that if you (the photographer) like it then it's a good image no matter what the judges may think.
Meeting 21st January 2021 - "Under a Tuscan Sky"-Ashley Franklin ARPS APAGB ABPPA BPE1*
With current Lockdown rules turning many of us into coiled springs of frustrated travel ambition; "Under a Tuscan Sky" served to remind Members of the delights that will still await us once restrictions ease. Ashley's images of Tuscany's achingly beautiful landscapes and in particular his passionate, self-confessed infatuation with the area of Val d'Orcia provided some much-needed virtual sunshine and a reminder that the sun will continue to shine on this corner of Italy. The Val d'Orcia provides the quintessence of Tuscany. Ashley's earliest visit was delicately described as rather photographically constrained by virtue of it being a family holiday. However, it was this visit that led to his lasting love affair with the place - and a vow to return. Subsequent (many) self-commissioned trips to the area to run his photography workshops have enabled him to build a local knowledge of the best vistas, viewpoints and photo opportunities. These were beautifully illustrated through evocative Tuscan scenes of Cypress clumps, hilltop villages and perhaps above all, of the region's softly feminine topography "draped in a swirling chiffon of mist diffusing in the early morning light". Within a beautifully organised presentation the evening's enjoyment was further accentuated by brief AVs of vibrant vermilion poppies, local townscapes showcasing the architecture of the ancient hill towns of San Quirico d'Orcia, picturesque Pienza and Montepulciano, before concluding with Ashley's Tuscan take on the Elysian Fields of ancient Rome as immortalised in Russel Crowe's " Gladiator".
Meeting 14th January - A short walk through Long Exposure - Paul Parkinson LRPS CPAGB BPE1
Introducing his presentation, Paul began with a quote from one of the all-time photography greats Henri Cartier-Bresson - "to take a photograph is to hold one's breath when all faculties converge in a face of fleeing reality". This, one of many by Bresson, perhaps best encapsulated the art of long exposure in creating images that portray the passage of time in some way. A brief technical section on the use of ISO, shutter speed and aperture to combine and deliver the desired effect was followed by a reminder that this was not an exact science with Paul emphasising the need to experiment and have fun. His passion for this approach was amply illustrated by many impressive images together with informative backstories and mini tutorials behind them including useful tips on the use of filters. Presenting a great diversity of subjects from technically challenging shots of snowboarders passing within inches of the camera, through the ghostly imagery of people moving through a four-minute exposure, to the ethereal milky effects of the technique when used on watery subjects. Brooding skies strongly depicting cloud movement together with many impressive Architectural shots and London skylines exemplified the skill and dedication of the presenter to this genre of photography. Reaffirming the need to feel free to try things out Paul's exhortation to be brave and experiment should give all Members encouragement to give Long Exposure a try. What could possibly go wrong? - as Bresson also said "your first 10,000 photographs are your worst"
Meeting 7th January 2021 - Presidents Evening with Jan Cunningham
The Society held their first Zoom meeting of 2021 as their President's Evening - with Jan Cunningham and guest speaker Pam McClay.
The evening began with a presentation from Jan entitled "a stroll around Hastings". Jan's love for, and delight in, her subject matter was evident from her many interesting facts, figures and images about the Town. From the historical name for residents or "Hastingers " - harking back to the Anglo- Saxon tribe the Haestingas who settled in the area towards the end of the 8th Century (long before William the Conqueror was even a twinkle in his mother's eye) and on through the many interesting periods in the Town's evolution. With images and place names evoking Hastings smuggling past of secret tunnels and tales of the evasion of excise men, through to its close association with the sea, its fishing industry and Lifeboat Station (where the 1931 boat had helped in the return of some 3,000 allied troops as part of Operation Dynamo), Jan painted her personal and well-loved picture of the Town. Hastings more recent development of the West Hill Cliff Railway of 1890 and East Hill lift of 1903, through to its popular appeal with fans of " Foyles War "and the pull of Hastings many colourful Festivals and entertainment venues provided a rich source of images for all to enjoy.
The second presentation of the evening, on the Shetland Isles , was given by Pam Mc Clay. Confirming that she had come to love this place, this northernmost part of the UK is in fact closer to Oslo than London. As a truly magical place, Pam urged anyone with an interest in wildlife, ornithology, geology, archaeology or geography to visit. Photographic opportunities abound, especially during the 19 hours of summer light when there is no real darkness but instead a "Simmerdim ". This was abundantly displayed in Pam's many images: from vertiginous sea cliffs to deeply incised Voes the islands are renowned for their great seabird colonies - with gannets, razorbills, guillemots, puffins (everyone's favourites) and notorious "Bonxies". Mammals are also found in good numbers with seals, otters, and a number of whale species adding to Shetlands natural treasures (although Pam confirmed that she was still searching for her shot of an otter). With its late Bronze Age and Iron Age archaeological treasures to also discover, together with the friendliness of the people, once Covid restrictions ease some Members may very well take up the invitation to visit.
Meeting 10th December - " Pandora's photobox of creativity " - Clive Haynes FRPS
Unashamedly describing himself as an Agent for Change, Clive enthusiastically exhorted members to throw away the rule book and unleash their creative self. Concerned lest people were feeling constrained to only take the type of image that would impress competition judges, he reminded all of Benjamin Franklin's famous quote .. "if we all think alike then no one is thinking." Displaying his own unbridled experimental approach through images centred around a variety of themes Clive's Alien Landscapes segment provided a cosmic kaleidoscope of images conjuring visions of faraway planets and solar systems rent by the diastrophism and deformation of tectonic plates - and all taken at his local Garden Centre. His homage to An affinity for Ancient Trees provided a window to the otherwise unseen world of Infra-Red with twisting trunks touching the imagination to provide the very essence of the past. Emergent Structures provided yet further encouragement to experiment; with mythical beings appearing out of nowhere: Norse Gods, - Forceti of Justice, Loki the God of mischief trickery and lies, and assorted other deities - all conjured up from the everyday including from Clive's elegantly explained "exhaust end of a horse" ... with just a little bit of post-production self-expression added. A thoroughly entertaining and thought-provoking evening from a true radical with ideas forged somewhere betwixt the fantastical imagery of J. R. Tolkein and the heady hallucinogenic days of Sargeant Pepper.
Meeting 3 December 2020 - Projected Digital Images ( PDI ) Competition Round 2
Judge - Gary Carter CPAGB
The second round of the PDI Competition was attended by some forty-five members through the now familiar format of Zoom. Local judge Gary Carter confirmed that he had been looking forward to the task in light of the high standard of images he had come to expect from Hailsham - and that Members hadn't let him down. A wide range of locations and subject matter was in evidence within both the Development and Advanced classes thus making his allotted task far from straightforward. As a local man Gary was able to identify some of the locations and subjects chosen and also confirmed his own efforts (which he humbly accepted were not always successful) to capture some of the various subjects entered in the competition. Having received all images for scrutiny some days beforehand, Gary was able to provide detailed comments, critiques and suggestions across all elements of submitted work - ranging from landscapes, macro, natural history, travel and abstract.
Many congratulations to the following Members whose images were selected to progress through to the PDI finals. Those in the Sussex Shield - Development Class were Celia Munn , Jane Phillips, Amanda Gibbs and Charles Folder and in the Albert Hillman Cup - Advanced Class were Alan Cork, Liz Scott, Liz Cottingham, Dave Brooker, John Evans, Alan Bousfield, Paul Shilliam, Jack Taylor. All the chosen images are displayed in the 'Competition Info' folder.
Meeting 26th November - Landscape Photography Projected Digital Images ( PDI ) Competition - the Betty Wells Trophy
Judge - Keith Gibson
In greeting the fifty plus Members attending Keith confirmed both his passion for Landscape Photography and the evident high standard of images that he had come to expect from HPS. Whilst not able to join the meeting on Zoom Keith had painstakingly provided written comments on all 59 images entered into this popular Landscape competition. His objectivity provided the perfect balance of where and why an image had proven successful and also where, in his opinion, it might be improved.
A beautiful range of landscapes and locations provided a welcome release from current travel restrictions. From Camber to Kerala, Skye to Stannage Edge, Buttermere to Bolivia - each providing memories redolent of times of greater freedoms: misty mornings on the Downs, glowering open skies, moody monochromes, pastel sunsets and classic "Big" Mountain landscapes.
Congratulations to all who submitted their images for scrutiny but in particular to those whose images were Highly Commended ( Bob Sherrard, Peggy McKenzie, Alan Bousfield, Dave Brooker, Alan Cork ) and to the top three placed images - Roy Morris 3rd, Liz Scott 2nd and Alan Bousfield 1st.
Meeting 19th November - Ian Boulton LRPS -"Each to his own way"
Accepting that opportunities had been somewhat more restricted during this Lockdown ( Covid ) year Ian confirmed his particular passion for street photography and his preference for use of monochrome in most of his photos. He provided Members with a fascinating and often candidly uncompromising picture of his native Bristol through a wide variety of images ranging from the quirky and humorous through to the grittier side of urban life. Bristol was apparently noted as early as 1794 for having a populace with a propensity and predilection for Protests. This had provided the photographer with many opportunities from protest marches covering subjects as diverse as Donald Trump, Brexit, the Fur Trade and unpopular local re-development schemes. Evocative but often thought-provoking images of smoky coffee shops, Pride festivals, street art, homelessness, dereliction and the ever-changing mosaic of urban graffiti provided a street photographer's take on life in a city that has spawned the epitome of urban art protest that is "Banksy". A difficult genre of photography and one where Ian was keen to emphasise politeness, awareness and courtesy in the taking of images.
Meeting 12th November - Polina Plotnikova -" Starting from a Blank Canvas": Flower Portraits and Still Life
Polina opened the evening by explaining her background in the History of Fine Art and the more profound Influencers on her photography. Strong influences from the works of the Old Masters were evident including early works showcasing the detail of the early botanical illustrators. Impressionistic portrayals of flowers through the brush strokes of Van Gogh and Monet, the "super macro" modernistic approach of the likes of Georgia O'Keefe and the surrealism of Magritte also featured strongly in her work. Yet further influences to Polina's work came from her various photographic heroes ( Mapplethorpe, Blossfeldt and van Dongen ).
Stunning and dramatic images of flowers filled her presentation throughout the evening ; from examples of botanical precision to the colliding kaleidoscopic colours of Polina's "Dancing Flowers". Her many Still Life images provided beautiful photographic portrayals, in the style of the Old Masters, that exemplified the need for attention to detail and lighting - "the perfection of placement" in an array of often seemingly unrelated articles. Unashamedly and principally a studio photographer Polina emphasised that whilst not having to contend with the vagaries of the outdoors when working within the studio ( wind, rain, changing light etc ) and with everything under the photographer's control this Starting from a Blank Canvas approach meant that there was no one else to blame for not achieving the perfect pre visioned image of the photographer.
Meeting 5th November - Tutorial by Slawek Staszczuk : Landscape Photography is Simple
Notwithstanding the title for this tutorial, Slawek was keen to emphasise that "simple "was by no means synonymous with "easy ". Whilst the technology associated with modern photography was complicated - with its attendant cluttered menus and options buttons - far more important to successful landscape photography was a grounding in operational skills and knowledge of the basics . Investing time in mastering these essentials would help free the mind for the creative side of taking good images. A fundamental understanding of Light, Composition and Timing ( LCT ) was key to success. Showing some stunning downland landscapes, Slawek demonstrated the three-dimensional impact that lighting can provide, challenging the notion that the " best " light should always come from behind the photographer. Images from west and east Sussex ably illustrated how atmospheric and linear perspective can be achieved by various lighting conditions. Composition, though often associated with a "bunch of rules" was really about achieving balance, simplicity and clarity rather than slavishly adhering to rules which Slawek urged should be seen more as guidelines. This would come in time and with practice. Timing ( and any planning associated with it ) was the third essential element in making most of the opportunities afforded by different times of the day and the passage of the sun but also the seasonality of natural events such as snow, autumn colours and the flowering of plants. Overall, the presentation provided much food for thought and encouragement to Members to make full use of these three key components ( LCT ) in their landscape photography.
Meeting 29th October - Natural History Competition - Judge Rosemary Wilman FRPS APAGB
Our Judge Rosemary Wilman and HPS Members were treated to a fabulous festival of fauna and flora in the Society's annual Natural History Competition. From ponderous pachyderms to delicate damsel flies, Rosemary was faced with a difficult task in assessing over seventy submitted images covering a wide-ranging spectrum of subjects from the natural world. Offering thoughtful and constructive comments on each and every one, coupled with helpful advice on how to get the best from each photographic opportunity, Rosemary managed to complete her herculean task and arrived at her choice of winners.
Congratulations go to all those who submitted their images for scrutiny but in particular to Janice Payne, Roy Broad (2) and Alan Cork for their "Highly Commended" images with Roy and Alan featuring in the top three places as follows: Roy Broad (3rd ),Louise Pemberton ( 2nd ) and Alan Cork ( 1st ).
22nd October 2020 - Tutorial by Jack Taylor EFIAP DPAGB - Digital Photo Manipulation
For their regular Thursday evening slot HPS members were treated to a tutorial by fellow Member Jack Taylor on the many varied applications and, to some, dark art of digital photo manipulation. Attendees had been invited to submit their unedited raw images and several were used to help explain, show and showcase some of the many different techniques that are now available to photographers to enhance their photographs or in some cases, simply to introduce additional artistic licence and creativity by use of filters, textures and backgrounds. Using the widely used Adobe Lightroom software for basic editing, images were then imported into Photoshop to utilise a selection of the myriad of techniques and effects possible to enhance the original image. In demonstrating his own mastery of Adobe software, Jack was keen to emphasise the non-destructive nature of applying such changes ( i.e. that the original image would not be irrevocably lost ) as well as the fact that "other makes of software are available". For those members who have yet to get to grips with this world of post-production, Jack's tutorial certainly provided much food for thought and a clear encouragement to get out there and make full use of the technology now available.
15 October 2020 - Projected Digital Images ( PDI ) Competition Round 1.
More than 45 members tuned into the first round of the projected images competition meeting presented via Zoom. Our judge for the evening was Andy Smith LRPS,CPAGB, who had carefully viewed all 68 images in advance with 22 in the Development Class and 46 in the Advanced Class. He had forwarded his critique of each image to be read out as they appeared on our screens.
There was a diverse array of subjects entered, including landscapes, natural history, people and still life studies, in both colour and monochrome. Andy's appraisals were both inciteful and positive, helpfully offering suggestions on how images might be improved.
Entries selected to progress through to the PDI finals in the Sussex, Development Class were from Chris Underhill, Celia Munn, Sally Watson and Simon Crouch. In the Albert Hillman Cup, Advanced Class, images by Alan Cork, Dave Brooker, Wendy Chrismas, Jack Taylor, Chris Coates, Colin Chrismas and Alan Bousfield progressed to the final. Our congratulations to all those who have entries through to the finals and indeed to all who entered their images to make an enjoyable evening.
8th October 2020 - " Magical Macro & Exploring Natural China" - Heather Angel MSc FRPS FBIPP
With a background in Zoology and Marine Biology prior to her becoming a professional photographer, Heather's presentation also provided impromptu lessons in botany as well as an insight into the biology of many of her subjects. " Magical Macro" emphasised the necessary attention to detail and lighting to optimise the many photographic opportunities that present themselves, often in everyday subjects. In showcasing techniques such as back lighting, rim lighting, spot lighting and the use of diffusers as well as natural light Heather's close up images provided stunning examples of each, enthusiastically accompanied by a commentary full of entomological and botanical knowledge. With over 32 trips to China, Heather's " Exploring Natural China" reminded all, especially in this Covid year, of the wonders of travel. Images of the iconic limestone mountains of the Li Jiang river, fields of Lotus flowers, Amur tigers in heavy snow, white cheeked gibbons in tropical South Yunan and charismatic but critically endangered giant pandas rounded off an evening showcasing the very best of China's many diverse and biodiverse habitats.
1st October 2020 - " Swan Song" - Anne Sutcliffe FRPS APSA EFIAP PPSA
One benefit of the Society's currently necessary "Covid secure" Zoom meetings is the opportunity to hear from photographers who might otherwise not be able to make the journey down to Sussex to present in person. Such was the case with the Society's latest presentation from Anne Sutcliffe with her images from around the world and her many anecdotes to reveal the stories behind them. A passion for wildlife as well as a need to understand the images she takes were evident throughout her presentation - for example by using a remote camera to understand the nocturnal secrets of animals visiting her Solihull garden. As a well-travelled photographer, Anne's images told the unravelling stories behind their subjects, from an American bobcat stalking in deep snow along the Madison river in Yellowstone USA, to feral desert horses in Utah, and on to abandoned miners' cottages in Bannock State, Idaho. A lifelong ambition to see a Polar Bear had led to a visit to Svalbard where the evening concluded with some beautiful images of midnight sunsets within landscapes of sparkling sea ice before culminating in a close appearance from the King of the Arctic himself - a magnificent male bear.
24th September 2020 - "The Dragon in Monochrome"
At their 24th September meeting HPS Members were treated to a presentation from self-professed "Welsh Dragon" Margaret Salisbury - MFIAP, FIPF, FSITTP, FSINWP, AWPF, APAGB.
With her trademark frank and forthright style Margaret delighted her audience with anecdotes from her early inspiration in the magic of darkroom printing and through her many images. A fierce emotional attachment to her native North Wales was evident in the many melancholic, moody landscapes of Snowdonia and the imagery of ghosts of miners and mining now long gone. All accentuated by the patina of rain silvered slate and the histories of men eking out a living in harsh conditions. Margaret's travels have taken her worldwide, from Bethesda to Ghana, from Machynlleth to Mount Cook NZ. Detailed portrayals of human hands and eyes captured on her many travels conjured up strong emotions as did images of animals from apes and monkeys through to her magical moment with Sperm Whales in New Zealand. As someone comfortable with breaking the rules Margaret emphasized the joy and excitement of the moment in taking photographs and the skill of putting "something of the photographer" into the image - coupled with a strong conviction that one should take the photograph that pleases you rather than one that is taken to please the judges.
17th Sept Meeting 2020 - Macro Photography
HPS Members were treated to a presentation of truly stunning images from Colleen Slater ARPS ATC on the subject of Macro Photography. With a background in the teaching of art, Colleen delighted members with ultra-close up images of flowers in a range of ethereal pastels and vibrant tones. The "Magic of Macro" is rarely so beautifully portrayed as in the images portraying the speaker's creative abstract approach experimenting with colour treatments and iridescent bubbles trapped on her submerged floral subjects. Talking candidly about her methods whilst revealing secrets of success gave encouragement to those many who struggle with Macro photography. In super close up we discover so much that is lost to the naked eye. After plants, the insect world took her interest and Colleen's mesmerising images of magical mini beasts was both a delight as well as a lesson in entomology - from the complimentary colours of a marmalade hoverfly on a marigold, to eye to eye engagement with grasshopper crickets, charismatic, characterful bumble bees and shield bugs. The evening concluded with a number of images displaying an urban macro approach from "Brighton between the piers" to the detritus of human desertion left on the beach. Colleen's enthusiasm for her many subjects as well as her willingness to speak openly about her creative approach and to offer advice was an inspiration to all to get out there and give Macro a closer look.
10th September 2020 - An Asian Odyssey
HPS Members were treated to a myriad of superb images from guest speaker Steve Carroll, ARPS, recounting his seven-week photo tour of the Indian Sub-Continent with images from Myanmar, Nepal and Nagaland. Steve's almost impossible task of distilling some 45,000 images from his trip into the evening's presentation was a triumph. His particular photographic style of immersing himself in the action with close up, wide-angle shots of people, places, and performances provided interest throughout. From a riot of colour and chaos in factories and street scenes to the seemingly ubiquitous smiling faces of the children Members were constantly reminded of the warmth of welcome Steve met everywhere he went. In Myanmar and Nepal we witnessed the skillful adaptations of equipment discarded when the British left India in 1949, the visceral insides of the many local butchers' shops, and colourful ceremonies commemorating "Baby's first rice". Images from Nagaland, India's most remote State, revealed a fascinating if darker side of the local history where a young man's rite of passage relied upon him returning in triumph with the head of one his enemies. And even today "Retired" head hunters proudly wear their decorative face paint confirming their grisly past. No visit to India would be complete without a visit to Varanasi on the banks of the Ganges where images of bathing, devotions to the Gods and the burning of funeral pyres rounded off the evening with a sense of classical India - a cultural explosion and assault upon our westernised senses.
3rd September 2020 - Take Five
HPS held its first meeting of the season when Chairman Ray Beckwith was delighted to extend a warm, Covid secure, Zoom welcome to over 40 Members including in particular new members. Presentations from David Mills ARPS, John Deller LRPS, Liz Scott ARPS, AFIAP, Peter Stafford FRPS and Roger Scott meant for a full evening of excellent images from some of the Society's many accomplished photographers and an opportunity to hear more of their personal choices behind their image taking. David led us from his "red car" period through London triptychs before ending in his beloved Snowdonia and its many evocative moods. John Deller, joining the meeting from Ludlow, showed the breadth of his talents from a misty Ashdown Forest, to a blue passage in Corfu and then via travels in the Lake District, along the Thames Path and France. Liz confirmed her creative and individualistic approach with dramatic seascapes, Monet imagery of water lilies and her love of moving from reality into fantasy through the medium of infra-red photography. Peter's pictures focused on the delights of the textures and detail in people and close ups from a slate mine in Llanberis to Hastings beach and a cornucopia of collectibles destined for the rubbish tip. The evening's final presentation from Roger again displayed a very creative, wide ranging and individual style; from "standard" Downland landscapes through composite images depicting Wagnerian legend, glitterball selfies before ending the evening with some wonderful if nightmarish imagery from Hythe Church crypt.
The objective of the evening was to show how the advisory suggestions and recommendations of Paul could be implemented through post production / digital manipulation with proposed changes being implemented by Jack Taylor live on Zoom. Members had previously been invited to submit images for Paul and Jack to work on using the more commonly used software packages before inviting discussion from the photographer in question on the finished result.
Paul's affable, measured and relaxed approach, proffering a number of positive comments and possible ways of tweaking images, coupled with Jack's very evident skills in the proficient, practical and enthusiastic application of the software to the original, provided for a fascinating and enjoyable evening. As original images "morphed" before their eyes and almost without exception, the creative or aesthetic enhancement of images was eagerly acknowledged by those whose image had been selected.
Beguiling, bewitching and, for some, maybe bewildering, this vast array of software techniques and effects is indisputably capable of enhancing almost any image. It is also indisputable that many of the "final" images sometimes bore little resemblance to that which was originally seen by the photographer.
For those passionate proponents of post-production perfection this was an evening to bask in the wealth and wizardry of digital manipulation, for others less keen, perhaps a time for reflection on the equally impressive effort and endeavours enshrined in seeking to capture that image in camera in the first instance. As they say, or at least used to, the camera never lies - but the magic of post-production can now help to significantly bend the truth.
Meeting 15 April 2021 - Set subject Competition " Transport"
Judge- Chris Palmer FRPS EFIAP DPAGB APAGB
For this set subject competition Chris explained that he had endeavoured to put himself in the role of editor for a Transport magazine - searching for an appropriately strong image for the cover. He also confirmed that he had not previously previewed the 55 submitted images preferring rather to judge them "live" as it were and to see how he, as a judge, responded to them on the night but emphasising that their overall relationship to the set theme of Transport was critical. This was no easy task owing primarily to the great variety of images submitted and the many and various takes on the theme of the competition - from camels to hot air balloons, vintage tricycles, narrow boats, steam engines and even paddleboards. Notwithstanding this seemingly bewildering breadth of transportation techniques Chris ably demonstrated and clearly conveyed the thinking behind his various comments and selections of those images held back for further consideration.
Congratulations as always to all who submitted their images for critical analysis with particular praise to the following whose entries were in the final placings or were in receipt of the judge's commendation.
1st place - Jack Taylor
2nd place - Jack Taylor
3rd place - Roger Scott
Highly commended - Alan Cork, Richard Goldsmith, Paul Shilliam, Roy Morris
Meeting 8th April - Impressions of the Landscape : Janey Devine FRPS
Confirming her Impressionist roots from a very early age, having unexpectedly won a junior painting competition (as much as to her own surprise as anyone else's) Janey started her photographic journey by enrolling in a beginner's class at Southhampton. An early photographic holiday to Venezuela and a portrait of egrets in flight, as blurred images against a darkening background, cemented her love of long exposure and a thirst for images which provided impressions of the photographic experience rather than a straight shot of what was in front of her. In her own words, early realisation that "a fairly good grasp of Photoshop was needed to get anywhere in this business" subsequently enabled her to enthusiastically experiment with her photography. Unbridled and often unconventional in her approach by using long exposure, infra-red, layering and composite shots, together with a number of post-production techniques, Janey's presentation revealed a fascinating array of images steeped in her impressionistic style. As a well-travelled photographer this free-thinking approach manifested itself in numerous diverse locations and in a variety of subjects with landscapes a particular and common theme.
During the second half of the evening Janey highlighted a number of her recent Lockdown Projects : the use of photographic chemicals (Cyanotypes) and natural materials to produce otherworldly and often surprising printed abstracts, the photographic documentation of coastal erosion upon her local stretch of coastline and an ongoing project to reveal the essence of the Itchen Navigation Canal. This last subject a quiet, restful and magical place where the photographer could immerse herself in putting the very essence of the location into her images using a variety of backgrounds, textures and imported subjects to further enhance that all important feeling of place..
Whilst confirming that she did not have a lot of patience in her photography she was nevertheless prepared to invest time and energy on brave and innovative approaches to further her impressionistic and individual style-whilst emphasising that for her the main thing about photography was to have fun.
Meeting 1st April - Projected Digital Images ( PDI ) Photographer of the Year.
Judge: Robin Harmsworth
The purpose of the PDI photographer of the year competition is essentially to enable Members to showcase their skills and versatility as a photographer. Entrants are encouraged to submit a panel of six images covering widely differing subject matter, genres or techniques. Judge for the evening was Robin Harmsworth who began by applauding all sixteen entrants for the quality, variety and range of images submitted for assessment. Each entry was initially displayed as a complete panel of six photographs prior to Robin then carefully selecting one or two from each set for further detailed comment, analysis and advice.
Emphasising that all entrants should feel exceedingly proud of the quality of their submissions, Robin's helpful, relaxed, and informative style of judging culminated in overall placements and commendations as follows.
1st Place - Alan Cork
2nd Place - Wendy Chrismas
Joint 3rd Place - Alan Bousfield, Roy Broad
Highly Commended - Jack Taylor, Dave Brooker
Meeting 25th March - Projected Digital Images ( PDI ) Finals
Judge Jim Pascoe - ARPS, BA ABIPP
The finals of Hailsham Photographic Society's projected digital images competition are always one of the Society's highlights of the season and this one was no exception. Judge for the evening, Jim Pascoe, confirmed that he had been very impressed with the standard of entries and that consequently, he had genuinely had a very difficult task in selecting overall winners. Some 22 entries had been submitted within the Development Class ( Sussex Shield ) with a further 47 entries in the Advanced Class (Albert Hillman Cup). Jim was particularly impressed with the very wide range of subject material entered which displayed a great variety of subjects, genres and photographic techniques. Since all images had already clearly been selected to progress through to the finals Jim's approach was essentially to offer a few thoughts and advice on each having already confirmed that he was not necessarily a stickler for the standard rules of composition but rather was looking for evidence of a "seeing eye" in any particular image.
Congratulations to all those whose images had been selected to progress to this final stage with particular plaudits to the following who were the recipients of a place or whose images were highly commended by the judge.
Development Class - Sussex Shield: Highly Commended - Celia Munn, Chris Underhill (2 images), Charles Folder.
1st place - Chris Underhill, 2nd Celia Munn, 3rd Chris Underhill
Advanced Class - Albert Hillman Cup: Highly Commended - Alan Cork, Janice Payne, Paul Shilliam, Bob Sherrard.
1st place - Helen Bonnick, 2nd Liz Scott, 3rd Alan Bousfield
Meeting 18th March - "Members Lecturettes"
Liz Scott ARPS AFIAP : Retrospective -The Silver Prints
Liz began by confirming her longstanding interest in photography and her membership of HPS for some 40 years. Whilst acknowledging that she had a particular "style" she was nevertheless happy to photograph anything that she felt interesting or worthwhile. Emphasising that in the days of her displayed images all cameras were manual and with no built-in metering systems she metaphorically invited her audience into the era of the darkroom. Here Liz revealed her love of this space as her own little world where she was able to escape everyday life and revel in the enjoyment that this exciting and creative side of photography held for her. The magic of the darkroom printing process, the mixing of the chemicals and the techniques of Lith printing with its harsh and gritty shadows. Displaying what was in effect a back catalogue of some of her favourite prints this lecturette admirably displayed the great range and skill of the photographer in successfully capturing these many moments. The breadth of subjects was indeed immense: from the abstract human forms of boulders at Cow Gap, to the many studio models and people portraits - Toby the punk, Grace with her penchant for vintage clothes, Ricky the plasterer and so on to local landscapes, landmarks and events. Whilst accepting that some of the close-up images she had chosen to show might not stand up to today's focus stacking digital wizardry Liz's deep affection for some of these techniques from a perhaps bygone era was evident throughout. Citing Cartier- Bressons's famous "decisive moment" quote and as if to underline the point Liz confirmed her strong belief in the photographic excitement and greater satisfaction of anticipating something happening rather than, for example relying heavily on the use of modern motordrives and post production techniques.
Ted Sturgeon : 24 hours in London
Having previously been unsuccessful in applying to this invitation photographic challenge Ted was ultimately rewarded with an invite in 2018. This event, hosted and sponsored at the time by Photo News, consists of a gruelling 24 hours of photography in the Capital and was held over the 29th and 30th June - coincidentally the two hottest days of that year. With stamina an expected prerequisite for success it was considered important to travel light, necessitating no tripods or bulging gadget bag for this stamina sapping triathlon of street photography. Rapidly realising that it was impractical to stay in photographic groups ( with everyone having different interests and timescales for capturing images ) Ted decided to go it alone and, to make matters even more interesting, had decided to shun the use of any form of map or guide. Quickly learning the logistics and legalities of taking photographs on a "don't ask but don't be intrusive" basis, alongside the rights and responsibilities of the photographer within Pops or Privately Owned Public Spaces Ted proceeded to blitz London with an intense variety of captures from his camera. From iconic cityscapes and architecture, from the OXO building, the Shard, the bustle and bohemian nature of Borough Market to the colour and chaos of the graffiti that adorns the area around Brick Lane and Shoreditch, Ted literally found himself lost in his photographic pursuits. Evening came and went and still he soldiered on into the wee hours, exploring the myriad of guises that the City showed under the glare of the seemingly ever-increasing levels of multi coloured artificial lighting with arresting views of the London Eye, the illuminated dome of St.Pauls and the night life that proves that the City never sleeps. Covering an estimated 31 miles in those 24 hrs with just a couple of hours sleep Ted admitted that at the time, he was actually under doctor's orders not to over exert himself; before concluding that he had thoroughly enjoyed the experience.
Meeting 11th March - Moments in Time and More - Presentation by Rob de Reuter ARPS
Rob confirmed that he had become hooked on photography from an early age - following in his father's footsteps. The title of his presentation mirrored a quote from Dorothea Lange "Photography takes an instant out of time, altering life by holding it still" - a concept admirably displayed by his many chosen images for the evening.
Seeing his photographic passion as an inseparable blurring of work and leisure Rob was keen to emphasise that the most important thing was to have fun through one's photographic endeavours. This wonderful presentation covered an extraordinary breadth of genres and a myriad of subject material. Commencing with Architecture, Cityscapes and Museums, there followed a section on People and Streets before concluding the first half of the evening with some wonderful Landscapes and Seascapes. Stressing that there are quite literally images everywhere for those who have a keen eye we were reminded of the striking architecture of the City of London - Royal Albert Hall, City Hall and the wealth of our many Museums before moving on to places such as Portsmouth's Historic Dockyard and Salisbury Cathedral.
As a firm believer in capturing the image first time around in camera rather than relying heavily upon using post processing techniques Rob certainly proved his point with images of People and Street Scenes, Landscapes and Seascapes from venues and subjects as diverse as the Weald and Downland Museum, with its many photographic opportunities, before taking us on a tour of luscious landscapes ranging from the Cornish Coast, the South Downs, Anglesey and the North Wales coast; even seeking out Iguanadon footprints on the Isle of Wight.
After the break Rob's section on Shaping the Light provided much interest with a quick lesson in elementary physics and a useful tip how to construct a set up to provide even, shadowless lighting for close up studio shots. A perfect Idea to keep us busy in Lockdown?
The evening concluded with yet more beautiful examples displaying both the breadth of Rob's work, and his passion for his subject with sections on Patterns and Detail, and Black and White. From the fine feather detail of flamingos, through to the shadows, shapes and patterns to be found in simple ,everyday subjects - the gnarled bark of ancient trees, the colours and reflections in puddles, and the geometric shapes of a simple pile of stacked chairs there were indeed striking images to be had everywhere. In addition to having fun with our photography, Rob ended his presentation with a plea for us to stay curious in our endeavours and not closed in or frightened of experimentation.
Meeting 5th March - Projected Digital Images ( PDI ) Competition Round 4
Judge : Faith Lee LRPS
This March 5th meeting was the fourth and final round of Hailsham Photographic Society's PDI Competition. Judge for the evening was Faith Lee, LRPS, who confirmed that she had spent a very enjoyable time assessing the many and varied images submitted and indeed had been extremely impressed with the overall standard of submissions. Once again, a wide range of locations and subject matter was in evidence within both the Development and Advanced classes and Faith was keen to point out the difficulty of her task in selecting those images that would eventually go forward into the PDI finals later in the year. Within the Development Class ( Sussex Shield ) some 18 images had been entered whilst the Advanced Class ( Albert Hillman Cup ) had attracted no less than 54 images. A total of 72 Members images covering such a variety of subjects and photographic styles filled an entertaining evening replete with ideas and encouragement to venture forth once again with cameras in hand and especially when current restrictions on travel are eased.
Many congratulations to the following Members whose images were selected to progress through to the PDI finals.
Sussex Shield - Development Class : Charles Folder, Chris Underhill (2 images), Celia Munn.
Albert Hillman Cup - Advanced Class: Alan Cork (2 images), Chris Coates, Helen Bonnick, Janice Payne, Alison Morris, Roger Joyce, Paul Shilliam.
Meeting 25th February - Landscape and People - presentation by John Tilsley
John opened his lecture with an image of Mrs Tilsley endeavouring to take a landscape shot whilst engulfed by a blizzard in Finland and enduring temperatures that would challenge the most dedicated of photographers. This was essentially to emphasise his belief in the need to make the most of whatever weather conditions, light etc you have and most of all to be adaptable in your approach. Monochromes of a local (to his home in Martinstown, Dorset) re-enactment of the D Day landings provided a lively introduction to the evening and offered great subject material for photography, displaying undoubted passion and a thirst for authenticity from those participating in this event.
However, it was John's travels in Finland and Iceland that best revealed his very personal approach to photographing Landscapes: eschewing the more classical viewpoints and treatments to favour instead images that centred upon his own emotional responses from being in wilderness. Images displaying the minimalistic, stark tracery of skeletal silver birch in the frozen Finnish wilderness together with the abstract rhythms, shapes and sequences of many of the classic Icelandic waterfalls gave the viewer a strong sense of place and the photographers sense of being there.
The role of people within the landscape was prominent within other segments of the evening's presentation - from the clamour, characters, and colour of the Wimborne Folk Festival to the wide skies and sandscapes of Norfolk and Suffolk where frosts and early morning mists provided a "Turneresque" quality to many of John's images. People were also very much at the centre of a number of striking images taken at the New Forest Pony Sales from the keen and expectant eyes of the buyers and sellers to the watchful eyes of the auctioneer.
The evening concluded with a whistle-stop tour of the Canadian Rockies from Mt Robson, Canada's highest peak at 3,954m to Fraser River Falls, the Athabasca glacier and Yoho National Park. John's enthusiasm and energy for getting the desired shot shone throughout - as did his firm belief in putting in the extra effort to walk some way from those overpopulated viewpoints in order to achieve distinct and different landscape images.
Meeting 18th February - Interactive Meeting with Paul O'Toole
In a welcome break from the "usual" Zoom format for Covid era meetings Paul had previously invited images across a range of genres to be submitted to him from HPS Members with a view to then "pairing" them with similar images of his own. In all a total of 28 matching pairs of images formed the basis of the evening's entertainment. The idea for the evening was to then open up the discussion as an informal, interactive dialogue with the audience who were invited to comment upon these paired images but which would, in terms of their ownership, remain anonymous to all but those whose own images were being displayed.
With all participants unmuted the accompanying software fortunately held out and it was possible to engender a lively and informative debate upon the relative merits of each of the paired images. A polite but no holds barred conversation enabled everyone to be "judge for the night" in offering their own views on ways in which any particular image could be enhanced or where they had missed the mark. At the end of each discussion on paired images Paul invited a straw poll as to the audience's favourite for each pair prior to revealing which were his own and which were HPS images. Honesty prevailed in respect of admitting to any post-production additives - from imported lightning skies and other special effects to the pasting in of a giant blow up "cheeky sheep "into a Lakeland landscape.
The format of the evening provided for a lively, wholly enjoyable and truly interactive debate. As the session ended Paul confirmed that he felt (straw poll results only) that he had been victorious overall. Others may have been less convinced of this declared result and indeed Ray Beckwith, as Chairman on behalf of the Society, was rumoured to have been contacting the returning officer - urging him to somehow 'find' another 11,779 votes and to re calculate his findings.
All in all, very many thanks to Paul for a wholly enjoyable, invigorating, thoroughly interactive and innovative way of hosting the evening's entertainment.
Meeting 11th February - "Afterlife" with Dave Mason
Once he had clarified that his chosen title for the evening's entertainment referred in fact to the evening as a follow on from his previous presentation to the Society (namely after "Life with Dave Mason" ) rather that a trip exploring the spiritual side of photography, there followed an evening centred upon people's relationships with each other and their environment. Using a small camera to avoid unnecessary intrusion upon his subject matter and to assist in his remaining inconspicuous in the street scene was a key criterion for Dave's success in capturing candid and spontaneous images.
Probably best known for his Street Photography Dave did not disappoint with images from some of his favourite haunts, East London, the British Seaside, Art Galleries and festivals, Docklands, Oxford Circus, the Appleby horse fair, as well as from foreign corners as diverse as East Berlin and Palermo. Describing Street Photography as "full on" with little time to react to situations as they presented themselves and with him not being a great fan of post-production work but preferring to keep images as honest as possible, the presenter's ability to see interesting shots in the everyday was evident throughout.
From the graffiti riddled streets of East London through to the chaos of markets, festivals and the decay of urban Britain the interrelationships between people and place shone through. Images portrayed were often embellished by Dave's enhanced imaginings and commentaries behind and between the characters portrayed in his pictures. From the urban to the urbane, the crazy to the creative, the peculiar and the poignant; each picture ably recounted how people use the streets as a kind of living theatre. From the solemnity of the Holocaust memorial in Berlin as mirrored in the grey high rise residential blocks of the old East Germany, to the wary, half- suspicious looks towards the photographer at the Appleby horse fair and through to the faded Mediterranean grandeur of Palermo and Mussolini's former fascist HQ ( now the local Post Office ) there was a palpable sense of the reality of the expression "every picture tells a story" - but only for those with the foresight and photographic eye to capture the image in question.
Meeting 4th February 2021 - Projected Digital Images ( PDI ) Competition Round 3
Judge: Dick Saunders
For this, the third round of the Society's PDI competition, our judge Dick Saunders had received all entries a couple of weeks beforehand in order that he had time to fully assess each one. In confirming that he had enjoyed receiving what he considered to be a stunning set of images Dick was at pains to point out that his comments were nevertheless only his personal view and asked individuals not to take them to heart. Any comments that he did make were intended to offer constructive advice and tips on how the image might have been made stronger but Dick confirmed that the emphasis should always be on the enjoyment of taking the photo and that if the photographer liked the image then that was the main objective. The evening provided an entertaining and elaborate display of the many and varied talents of Members, covering a wide range of subjects including bugs and mini beasts, natural history, botanical studies, still life, landscapes, architectural and urban studies and abstract creations.
The Sussex Shield ( Development Class ) attracted some 19 entries whilst the Albert Hillman Cup ( Advanced Class ) had no less than 56 entries.
Images from the following Members were selected to progress through to the PDI finals later in the year.
Sussex Shield: Chris Underhill, Jennifer George, Celia Munn, Charles Folder.
Albert Hillman Cup: Louise Pemberton, John Evans, Dave Brooker, Janice Payne, Roy Broad, Alan Cork, Bob Sherrard, Paul Shilliam.
Congratulations to all who entered their images for scrutiny by the "Moscow Eye" of our judge, and in particular to those whose images were selected to progress to the finals.
Chairman's Evening 28th January - Richard Goldsmith -"A walk around the Town " & Ray Beckwith : Chairman HPS - "Some of my snapshots"
For the first half of his evening Ray had invited Richard to present his "Walk around the Town" - a photographic and social history of Hailsham. For those who know of his encyclopaedic knowledge of the town it was no surprise that this was a wonderful journey. Using many of the early images of Edwin Isaac Baker who had been working as photographer for the Sussex Advertiser in the late 1800's and supplemented by his own photographs, Richard painted a carefully crafted portrait of a bustling Sussex Market Town. Interspersing images with anecdotes about major events in the Town, Richard brought history to life through stories of progress, prosperity and also of decay. Key stages in the Towns evolution highlighted the pressures of development; from the moving of the Market to its current site in 1868 to the 1985 campaign to save the Market, the loss to development of the 15th Century Proclamation House to enable construction of the Nat West Bank and the demolition of St. Mary's House, another fine historic ( C17th ) building. Stories of the building of the Grenadier in 1803 to serve the Napoleonic Barracks, the use of the cobbles in Stoney Lane transported on carts from Pevensey Bay by residents of the workhouse, the great Town fire of 1889 in Verral's forge and workshop ( now the Fleur de Lys ), the 1919 Armistice day parade, children's VE day party and the infamous snow of 1962/63,afforded all a truly enjoyable, pictorial and informative "walk around the Town".
The title for part two of the evening " Some of my snapshots" was spawned from a rather dismissive comment that one of Ray's images had once received from a competition judge. Ironically, as Ray was at pains to point out to Members, he had in fact taken especial care with the timing, lighting, composition, focusing and just about everything else in the picture. In the opinion of the writer and I suspect many, Ray is too self-deprecating by far and proceeded to delight with a presentation of his "snapshots" displaying a very broad range of genres and subjects delightfully captured by the photographer. From crisp studio shots, (together with explanations of fascinating secrets behind their capture), through to impressive landscapes, architectural shots, natural history, candid street shots and - one of Ray's self-confessed favourites, the classic "chocolate box " shot. These were by no means mere snapshots but a wide portfolio from an accomplished and discerning photographer. Some of the images of the former but by then derelict Hellingly Hospital provided a haunting insight into a somewhat anguished period of our social history although some members confirmed that the hospital patients and staff were indeed a close family and that it was with much sadness all round when the site was sold for development. Fortunately, Ray appears to have recovered fully from that earlier judge's comments and is a firm exponent of the adage that if you (the photographer) like it then it's a good image no matter what the judges may think.
Meeting 21st January 2021 - "Under a Tuscan Sky"-Ashley Franklin ARPS APAGB ABPPA BPE1*
With current Lockdown rules turning many of us into coiled springs of frustrated travel ambition; "Under a Tuscan Sky" served to remind Members of the delights that will still await us once restrictions ease. Ashley's images of Tuscany's achingly beautiful landscapes and in particular his passionate, self-confessed infatuation with the area of Val d'Orcia provided some much-needed virtual sunshine and a reminder that the sun will continue to shine on this corner of Italy. The Val d'Orcia provides the quintessence of Tuscany. Ashley's earliest visit was delicately described as rather photographically constrained by virtue of it being a family holiday. However, it was this visit that led to his lasting love affair with the place - and a vow to return. Subsequent (many) self-commissioned trips to the area to run his photography workshops have enabled him to build a local knowledge of the best vistas, viewpoints and photo opportunities. These were beautifully illustrated through evocative Tuscan scenes of Cypress clumps, hilltop villages and perhaps above all, of the region's softly feminine topography "draped in a swirling chiffon of mist diffusing in the early morning light". Within a beautifully organised presentation the evening's enjoyment was further accentuated by brief AVs of vibrant vermilion poppies, local townscapes showcasing the architecture of the ancient hill towns of San Quirico d'Orcia, picturesque Pienza and Montepulciano, before concluding with Ashley's Tuscan take on the Elysian Fields of ancient Rome as immortalised in Russel Crowe's " Gladiator".
Meeting 14th January - A short walk through Long Exposure - Paul Parkinson LRPS CPAGB BPE1
Introducing his presentation, Paul began with a quote from one of the all-time photography greats Henri Cartier-Bresson - "to take a photograph is to hold one's breath when all faculties converge in a face of fleeing reality". This, one of many by Bresson, perhaps best encapsulated the art of long exposure in creating images that portray the passage of time in some way. A brief technical section on the use of ISO, shutter speed and aperture to combine and deliver the desired effect was followed by a reminder that this was not an exact science with Paul emphasising the need to experiment and have fun. His passion for this approach was amply illustrated by many impressive images together with informative backstories and mini tutorials behind them including useful tips on the use of filters. Presenting a great diversity of subjects from technically challenging shots of snowboarders passing within inches of the camera, through the ghostly imagery of people moving through a four-minute exposure, to the ethereal milky effects of the technique when used on watery subjects. Brooding skies strongly depicting cloud movement together with many impressive Architectural shots and London skylines exemplified the skill and dedication of the presenter to this genre of photography. Reaffirming the need to feel free to try things out Paul's exhortation to be brave and experiment should give all Members encouragement to give Long Exposure a try. What could possibly go wrong? - as Bresson also said "your first 10,000 photographs are your worst"
Meeting 7th January 2021 - Presidents Evening with Jan Cunningham
The Society held their first Zoom meeting of 2021 as their President's Evening - with Jan Cunningham and guest speaker Pam McClay.
The evening began with a presentation from Jan entitled "a stroll around Hastings". Jan's love for, and delight in, her subject matter was evident from her many interesting facts, figures and images about the Town. From the historical name for residents or "Hastingers " - harking back to the Anglo- Saxon tribe the Haestingas who settled in the area towards the end of the 8th Century (long before William the Conqueror was even a twinkle in his mother's eye) and on through the many interesting periods in the Town's evolution. With images and place names evoking Hastings smuggling past of secret tunnels and tales of the evasion of excise men, through to its close association with the sea, its fishing industry and Lifeboat Station (where the 1931 boat had helped in the return of some 3,000 allied troops as part of Operation Dynamo), Jan painted her personal and well-loved picture of the Town. Hastings more recent development of the West Hill Cliff Railway of 1890 and East Hill lift of 1903, through to its popular appeal with fans of " Foyles War "and the pull of Hastings many colourful Festivals and entertainment venues provided a rich source of images for all to enjoy.
The second presentation of the evening, on the Shetland Isles , was given by Pam Mc Clay. Confirming that she had come to love this place, this northernmost part of the UK is in fact closer to Oslo than London. As a truly magical place, Pam urged anyone with an interest in wildlife, ornithology, geology, archaeology or geography to visit. Photographic opportunities abound, especially during the 19 hours of summer light when there is no real darkness but instead a "Simmerdim ". This was abundantly displayed in Pam's many images: from vertiginous sea cliffs to deeply incised Voes the islands are renowned for their great seabird colonies - with gannets, razorbills, guillemots, puffins (everyone's favourites) and notorious "Bonxies". Mammals are also found in good numbers with seals, otters, and a number of whale species adding to Shetlands natural treasures (although Pam confirmed that she was still searching for her shot of an otter). With its late Bronze Age and Iron Age archaeological treasures to also discover, together with the friendliness of the people, once Covid restrictions ease some Members may very well take up the invitation to visit.
Meeting 10th December - " Pandora's photobox of creativity " - Clive Haynes FRPS
Unashamedly describing himself as an Agent for Change, Clive enthusiastically exhorted members to throw away the rule book and unleash their creative self. Concerned lest people were feeling constrained to only take the type of image that would impress competition judges, he reminded all of Benjamin Franklin's famous quote .. "if we all think alike then no one is thinking." Displaying his own unbridled experimental approach through images centred around a variety of themes Clive's Alien Landscapes segment provided a cosmic kaleidoscope of images conjuring visions of faraway planets and solar systems rent by the diastrophism and deformation of tectonic plates - and all taken at his local Garden Centre. His homage to An affinity for Ancient Trees provided a window to the otherwise unseen world of Infra-Red with twisting trunks touching the imagination to provide the very essence of the past. Emergent Structures provided yet further encouragement to experiment; with mythical beings appearing out of nowhere: Norse Gods, - Forceti of Justice, Loki the God of mischief trickery and lies, and assorted other deities - all conjured up from the everyday including from Clive's elegantly explained "exhaust end of a horse" ... with just a little bit of post-production self-expression added. A thoroughly entertaining and thought-provoking evening from a true radical with ideas forged somewhere betwixt the fantastical imagery of J. R. Tolkein and the heady hallucinogenic days of Sargeant Pepper.
Meeting 3 December 2020 - Projected Digital Images ( PDI ) Competition Round 2
Judge - Gary Carter CPAGB
The second round of the PDI Competition was attended by some forty-five members through the now familiar format of Zoom. Local judge Gary Carter confirmed that he had been looking forward to the task in light of the high standard of images he had come to expect from Hailsham - and that Members hadn't let him down. A wide range of locations and subject matter was in evidence within both the Development and Advanced classes thus making his allotted task far from straightforward. As a local man Gary was able to identify some of the locations and subjects chosen and also confirmed his own efforts (which he humbly accepted were not always successful) to capture some of the various subjects entered in the competition. Having received all images for scrutiny some days beforehand, Gary was able to provide detailed comments, critiques and suggestions across all elements of submitted work - ranging from landscapes, macro, natural history, travel and abstract.
Many congratulations to the following Members whose images were selected to progress through to the PDI finals. Those in the Sussex Shield - Development Class were Celia Munn , Jane Phillips, Amanda Gibbs and Charles Folder and in the Albert Hillman Cup - Advanced Class were Alan Cork, Liz Scott, Liz Cottingham, Dave Brooker, John Evans, Alan Bousfield, Paul Shilliam, Jack Taylor. All the chosen images are displayed in the 'Competition Info' folder.
Meeting 26th November - Landscape Photography Projected Digital Images ( PDI ) Competition - the Betty Wells Trophy
Judge - Keith Gibson
In greeting the fifty plus Members attending Keith confirmed both his passion for Landscape Photography and the evident high standard of images that he had come to expect from HPS. Whilst not able to join the meeting on Zoom Keith had painstakingly provided written comments on all 59 images entered into this popular Landscape competition. His objectivity provided the perfect balance of where and why an image had proven successful and also where, in his opinion, it might be improved.
A beautiful range of landscapes and locations provided a welcome release from current travel restrictions. From Camber to Kerala, Skye to Stannage Edge, Buttermere to Bolivia - each providing memories redolent of times of greater freedoms: misty mornings on the Downs, glowering open skies, moody monochromes, pastel sunsets and classic "Big" Mountain landscapes.
Congratulations to all who submitted their images for scrutiny but in particular to those whose images were Highly Commended ( Bob Sherrard, Peggy McKenzie, Alan Bousfield, Dave Brooker, Alan Cork ) and to the top three placed images - Roy Morris 3rd, Liz Scott 2nd and Alan Bousfield 1st.
Meeting 19th November - Ian Boulton LRPS -"Each to his own way"
Accepting that opportunities had been somewhat more restricted during this Lockdown ( Covid ) year Ian confirmed his particular passion for street photography and his preference for use of monochrome in most of his photos. He provided Members with a fascinating and often candidly uncompromising picture of his native Bristol through a wide variety of images ranging from the quirky and humorous through to the grittier side of urban life. Bristol was apparently noted as early as 1794 for having a populace with a propensity and predilection for Protests. This had provided the photographer with many opportunities from protest marches covering subjects as diverse as Donald Trump, Brexit, the Fur Trade and unpopular local re-development schemes. Evocative but often thought-provoking images of smoky coffee shops, Pride festivals, street art, homelessness, dereliction and the ever-changing mosaic of urban graffiti provided a street photographer's take on life in a city that has spawned the epitome of urban art protest that is "Banksy". A difficult genre of photography and one where Ian was keen to emphasise politeness, awareness and courtesy in the taking of images.
Meeting 12th November - Polina Plotnikova -" Starting from a Blank Canvas": Flower Portraits and Still Life
Polina opened the evening by explaining her background in the History of Fine Art and the more profound Influencers on her photography. Strong influences from the works of the Old Masters were evident including early works showcasing the detail of the early botanical illustrators. Impressionistic portrayals of flowers through the brush strokes of Van Gogh and Monet, the "super macro" modernistic approach of the likes of Georgia O'Keefe and the surrealism of Magritte also featured strongly in her work. Yet further influences to Polina's work came from her various photographic heroes ( Mapplethorpe, Blossfeldt and van Dongen ).
Stunning and dramatic images of flowers filled her presentation throughout the evening ; from examples of botanical precision to the colliding kaleidoscopic colours of Polina's "Dancing Flowers". Her many Still Life images provided beautiful photographic portrayals, in the style of the Old Masters, that exemplified the need for attention to detail and lighting - "the perfection of placement" in an array of often seemingly unrelated articles. Unashamedly and principally a studio photographer Polina emphasised that whilst not having to contend with the vagaries of the outdoors when working within the studio ( wind, rain, changing light etc ) and with everything under the photographer's control this Starting from a Blank Canvas approach meant that there was no one else to blame for not achieving the perfect pre visioned image of the photographer.
Meeting 5th November - Tutorial by Slawek Staszczuk : Landscape Photography is Simple
Notwithstanding the title for this tutorial, Slawek was keen to emphasise that "simple "was by no means synonymous with "easy ". Whilst the technology associated with modern photography was complicated - with its attendant cluttered menus and options buttons - far more important to successful landscape photography was a grounding in operational skills and knowledge of the basics . Investing time in mastering these essentials would help free the mind for the creative side of taking good images. A fundamental understanding of Light, Composition and Timing ( LCT ) was key to success. Showing some stunning downland landscapes, Slawek demonstrated the three-dimensional impact that lighting can provide, challenging the notion that the " best " light should always come from behind the photographer. Images from west and east Sussex ably illustrated how atmospheric and linear perspective can be achieved by various lighting conditions. Composition, though often associated with a "bunch of rules" was really about achieving balance, simplicity and clarity rather than slavishly adhering to rules which Slawek urged should be seen more as guidelines. This would come in time and with practice. Timing ( and any planning associated with it ) was the third essential element in making most of the opportunities afforded by different times of the day and the passage of the sun but also the seasonality of natural events such as snow, autumn colours and the flowering of plants. Overall, the presentation provided much food for thought and encouragement to Members to make full use of these three key components ( LCT ) in their landscape photography.
Meeting 29th October - Natural History Competition - Judge Rosemary Wilman FRPS APAGB
Our Judge Rosemary Wilman and HPS Members were treated to a fabulous festival of fauna and flora in the Society's annual Natural History Competition. From ponderous pachyderms to delicate damsel flies, Rosemary was faced with a difficult task in assessing over seventy submitted images covering a wide-ranging spectrum of subjects from the natural world. Offering thoughtful and constructive comments on each and every one, coupled with helpful advice on how to get the best from each photographic opportunity, Rosemary managed to complete her herculean task and arrived at her choice of winners.
Congratulations go to all those who submitted their images for scrutiny but in particular to Janice Payne, Roy Broad (2) and Alan Cork for their "Highly Commended" images with Roy and Alan featuring in the top three places as follows: Roy Broad (3rd ),Louise Pemberton ( 2nd ) and Alan Cork ( 1st ).
22nd October 2020 - Tutorial by Jack Taylor EFIAP DPAGB - Digital Photo Manipulation
For their regular Thursday evening slot HPS members were treated to a tutorial by fellow Member Jack Taylor on the many varied applications and, to some, dark art of digital photo manipulation. Attendees had been invited to submit their unedited raw images and several were used to help explain, show and showcase some of the many different techniques that are now available to photographers to enhance their photographs or in some cases, simply to introduce additional artistic licence and creativity by use of filters, textures and backgrounds. Using the widely used Adobe Lightroom software for basic editing, images were then imported into Photoshop to utilise a selection of the myriad of techniques and effects possible to enhance the original image. In demonstrating his own mastery of Adobe software, Jack was keen to emphasise the non-destructive nature of applying such changes ( i.e. that the original image would not be irrevocably lost ) as well as the fact that "other makes of software are available". For those members who have yet to get to grips with this world of post-production, Jack's tutorial certainly provided much food for thought and a clear encouragement to get out there and make full use of the technology now available.
15 October 2020 - Projected Digital Images ( PDI ) Competition Round 1.
More than 45 members tuned into the first round of the projected images competition meeting presented via Zoom. Our judge for the evening was Andy Smith LRPS,CPAGB, who had carefully viewed all 68 images in advance with 22 in the Development Class and 46 in the Advanced Class. He had forwarded his critique of each image to be read out as they appeared on our screens.
There was a diverse array of subjects entered, including landscapes, natural history, people and still life studies, in both colour and monochrome. Andy's appraisals were both inciteful and positive, helpfully offering suggestions on how images might be improved.
Entries selected to progress through to the PDI finals in the Sussex, Development Class were from Chris Underhill, Celia Munn, Sally Watson and Simon Crouch. In the Albert Hillman Cup, Advanced Class, images by Alan Cork, Dave Brooker, Wendy Chrismas, Jack Taylor, Chris Coates, Colin Chrismas and Alan Bousfield progressed to the final. Our congratulations to all those who have entries through to the finals and indeed to all who entered their images to make an enjoyable evening.
8th October 2020 - " Magical Macro & Exploring Natural China" - Heather Angel MSc FRPS FBIPP
With a background in Zoology and Marine Biology prior to her becoming a professional photographer, Heather's presentation also provided impromptu lessons in botany as well as an insight into the biology of many of her subjects. " Magical Macro" emphasised the necessary attention to detail and lighting to optimise the many photographic opportunities that present themselves, often in everyday subjects. In showcasing techniques such as back lighting, rim lighting, spot lighting and the use of diffusers as well as natural light Heather's close up images provided stunning examples of each, enthusiastically accompanied by a commentary full of entomological and botanical knowledge. With over 32 trips to China, Heather's " Exploring Natural China" reminded all, especially in this Covid year, of the wonders of travel. Images of the iconic limestone mountains of the Li Jiang river, fields of Lotus flowers, Amur tigers in heavy snow, white cheeked gibbons in tropical South Yunan and charismatic but critically endangered giant pandas rounded off an evening showcasing the very best of China's many diverse and biodiverse habitats.
1st October 2020 - " Swan Song" - Anne Sutcliffe FRPS APSA EFIAP PPSA
One benefit of the Society's currently necessary "Covid secure" Zoom meetings is the opportunity to hear from photographers who might otherwise not be able to make the journey down to Sussex to present in person. Such was the case with the Society's latest presentation from Anne Sutcliffe with her images from around the world and her many anecdotes to reveal the stories behind them. A passion for wildlife as well as a need to understand the images she takes were evident throughout her presentation - for example by using a remote camera to understand the nocturnal secrets of animals visiting her Solihull garden. As a well-travelled photographer, Anne's images told the unravelling stories behind their subjects, from an American bobcat stalking in deep snow along the Madison river in Yellowstone USA, to feral desert horses in Utah, and on to abandoned miners' cottages in Bannock State, Idaho. A lifelong ambition to see a Polar Bear had led to a visit to Svalbard where the evening concluded with some beautiful images of midnight sunsets within landscapes of sparkling sea ice before culminating in a close appearance from the King of the Arctic himself - a magnificent male bear.
24th September 2020 - "The Dragon in Monochrome"
At their 24th September meeting HPS Members were treated to a presentation from self-professed "Welsh Dragon" Margaret Salisbury - MFIAP, FIPF, FSITTP, FSINWP, AWPF, APAGB.
With her trademark frank and forthright style Margaret delighted her audience with anecdotes from her early inspiration in the magic of darkroom printing and through her many images. A fierce emotional attachment to her native North Wales was evident in the many melancholic, moody landscapes of Snowdonia and the imagery of ghosts of miners and mining now long gone. All accentuated by the patina of rain silvered slate and the histories of men eking out a living in harsh conditions. Margaret's travels have taken her worldwide, from Bethesda to Ghana, from Machynlleth to Mount Cook NZ. Detailed portrayals of human hands and eyes captured on her many travels conjured up strong emotions as did images of animals from apes and monkeys through to her magical moment with Sperm Whales in New Zealand. As someone comfortable with breaking the rules Margaret emphasized the joy and excitement of the moment in taking photographs and the skill of putting "something of the photographer" into the image - coupled with a strong conviction that one should take the photograph that pleases you rather than one that is taken to please the judges.
17th Sept Meeting 2020 - Macro Photography
HPS Members were treated to a presentation of truly stunning images from Colleen Slater ARPS ATC on the subject of Macro Photography. With a background in the teaching of art, Colleen delighted members with ultra-close up images of flowers in a range of ethereal pastels and vibrant tones. The "Magic of Macro" is rarely so beautifully portrayed as in the images portraying the speaker's creative abstract approach experimenting with colour treatments and iridescent bubbles trapped on her submerged floral subjects. Talking candidly about her methods whilst revealing secrets of success gave encouragement to those many who struggle with Macro photography. In super close up we discover so much that is lost to the naked eye. After plants, the insect world took her interest and Colleen's mesmerising images of magical mini beasts was both a delight as well as a lesson in entomology - from the complimentary colours of a marmalade hoverfly on a marigold, to eye to eye engagement with grasshopper crickets, charismatic, characterful bumble bees and shield bugs. The evening concluded with a number of images displaying an urban macro approach from "Brighton between the piers" to the detritus of human desertion left on the beach. Colleen's enthusiasm for her many subjects as well as her willingness to speak openly about her creative approach and to offer advice was an inspiration to all to get out there and give Macro a closer look.
10th September 2020 - An Asian Odyssey
HPS Members were treated to a myriad of superb images from guest speaker Steve Carroll, ARPS, recounting his seven-week photo tour of the Indian Sub-Continent with images from Myanmar, Nepal and Nagaland. Steve's almost impossible task of distilling some 45,000 images from his trip into the evening's presentation was a triumph. His particular photographic style of immersing himself in the action with close up, wide-angle shots of people, places, and performances provided interest throughout. From a riot of colour and chaos in factories and street scenes to the seemingly ubiquitous smiling faces of the children Members were constantly reminded of the warmth of welcome Steve met everywhere he went. In Myanmar and Nepal we witnessed the skillful adaptations of equipment discarded when the British left India in 1949, the visceral insides of the many local butchers' shops, and colourful ceremonies commemorating "Baby's first rice". Images from Nagaland, India's most remote State, revealed a fascinating if darker side of the local history where a young man's rite of passage relied upon him returning in triumph with the head of one his enemies. And even today "Retired" head hunters proudly wear their decorative face paint confirming their grisly past. No visit to India would be complete without a visit to Varanasi on the banks of the Ganges where images of bathing, devotions to the Gods and the burning of funeral pyres rounded off the evening with a sense of classical India - a cultural explosion and assault upon our westernised senses.
3rd September 2020 - Take Five
HPS held its first meeting of the season when Chairman Ray Beckwith was delighted to extend a warm, Covid secure, Zoom welcome to over 40 Members including in particular new members. Presentations from David Mills ARPS, John Deller LRPS, Liz Scott ARPS, AFIAP, Peter Stafford FRPS and Roger Scott meant for a full evening of excellent images from some of the Society's many accomplished photographers and an opportunity to hear more of their personal choices behind their image taking. David led us from his "red car" period through London triptychs before ending in his beloved Snowdonia and its many evocative moods. John Deller, joining the meeting from Ludlow, showed the breadth of his talents from a misty Ashdown Forest, to a blue passage in Corfu and then via travels in the Lake District, along the Thames Path and France. Liz confirmed her creative and individualistic approach with dramatic seascapes, Monet imagery of water lilies and her love of moving from reality into fantasy through the medium of infra-red photography. Peter's pictures focused on the delights of the textures and detail in people and close ups from a slate mine in Llanberis to Hastings beach and a cornucopia of collectibles destined for the rubbish tip. The evening's final presentation from Roger again displayed a very creative, wide ranging and individual style; from "standard" Downland landscapes through composite images depicting Wagnerian legend, glitterball selfies before ending the evening with some wonderful if nightmarish imagery from Hythe Church crypt.